| "Fantastic
Is the word for Fantasio"
- Walt Disney, Las Vegas, November, 1964
Fantasio... ˇthe name is intriguing!
Fantasio... a seasoned performer and world traveler
who makes llusions become reality before your very eyes.
In Fantasio´s act everything is important: the
lighting, the music, the timming, the costumes... and the climax
of each and every effect.
"To be a great magician, your must know what
the reaction of the audience will be," according to Fantasio,
whose creations are based upon the reaction of the viewing public.
"A great trick is not necessarily one that fools the audience,
rather it is an lmposibility that pleases them."
Fantasio, who specializes in slight-of-hand, developed
a new style of performing magic that has been imitated around the
world.
Fantasio first became interested in magic as a
hobby in his early teens. His plans to study for a banking career,
with a chemisty minor, at the University of Buenos Aires were thwarted
by a five-month banking strike in his native Argentina. In need
of work young Ricardo Roucau armed with the name of "Larry"
and some pictures of the name "Larry" on a theatre marque
in Buenos Aires went to Montevideo, Uruguay, where he convinced
a night club owner that he was a famous magician named "Larry".
His fresh approach to magic was liked by the public and his career
as a professional magician started.
While working in as a profesional magician In Montevideo,
he meets a young lady. They were married in 1959, and Monica joined
the act. Few magicians wives are good assistants, but Monica was
the exception. So much so that JAY MARSHALL said, "Monica is
the best magician's assistant I have ever seen perform."
The public liked the handsome young couple and
their every performance took them higher and higher on the ladder
of success. Their travels took them throughout South and Central
American working in nightclubs, hotels and casinos. It was at a
casino In Curacao (Netherlands Antilles), where John Scarne was
supervising the gambling, that the pair received the next big change
In their career. Scarne liked their refreshing act, but he said
that the name «Larry" was no good for working In the United
States or the Continent, and he suggested that they change the name.
Here was where Ricardo and Monica did some real
soul searching. In a review of their career, one word seemed to
be repeated In every single review of their performances throughout
Latin America: "Fantastico" (The English translation is
"Fantastic.") At last they came up with the name "Fantasio."
One of the first people who heard the name was the late Al Flosso,
who said, "That's a good name!" And thus It was that ~
disappeared and in his place was "Fantasio".
At the 1964 Combined S.A.M.- l.B.M. Magic Convention
in New York City, Fantasio won the top award for Originality."
In the same year Fantasio and Monica got another very special award
that carne in a very special package. Their daughter, Jackie, was
born.
There is no doubt that Fantasio was one of the
top working magicians of the Sixties, a period in magical history
were openings for magical performers were few and far between. Fantasio
and Monica had long run engagements at the famous Latin Quarter
and at The Radio City Music Hall in New York City. Fantasio made
a six month tour with The Liberace Show, and then they worked for
18 months In the first "Hello America" show at the Desert
lnn Hotel in Las Vegas.
Inside Text:
This May, the world renowned Fantasio gave a lecture
at the Magic Towne House. With a love of magic that began at age
ten, Fantasio has had a long career in show business that has taken
him to the far corners of the earth. The magic celebrity Silvan
once said, "The style, showmanship and presentation of Fantasio
is impeccable and full of masterly class."
Fantasio was born Ricardo Roucau in Buenos Aires,
Argentina, on October 3, 1936. With a Box of Magic Tricks the ten-year-old
Fantasio began to dabble in magic, but it was not until age seventeen
that he was taught real sleight of-hand by Mario Lobo. He started
to join magic clubs, meet magicians, (including David Bamberg -
Fu Manchu -- and Carlos H. Colombi) and to perform magic for audiences.
Soon Fantasio was juggling magic shows on the side
with working in a bank and studying chemistry at the University
of Buenos Aires. Exposure in 1959 in the annual Show of his PADPEI
Magic Society resulted in bookings for two television programs in
Montevideo.
This was the beginning of his professional career
in magic; the same year saw him playing nightclubs in Montevideo.
1959 proved to be a very important year for Fantasio in another
respect, as this was when he met the dancer, Mónica. They were married
and the "glamourous half" of Fantasio act was soon filled.
They had a daughter Jacqueline, in 1964.
It was that year when they came to the United States
after playing nightclubs, hotels and TV shows in Uruguay, Colombia,
Panamá and the Caribbean resorts. Fantasio was praise by columnist
Earl Wilson for his " amazingly educated fingers." A few
month after their arrival here, the pair was booked for an eighteen
month run in the "Hello América" show at the Desert Inn
in Las Vegas.
Appearances on television programs, including the
Ed Sullivan Show, followed and then came a six month run with the
"Ice Revue" at the Conrad Hilton Hotel in Chicago. Soon
Fantasio and Mónica had a three-month booking with Liberace, plus
more hotel engagements in the eastern US.
In 1968, Fantasio and Mónica performed in Puerto
Rico, The Netherlands, Guyana, Venezuela, Grand Bahamas, Miami Beach,
Aruba, Curacao, Santo Domingo, and had a single appearance at the
Philadelphia Conference.
Two years later, they were elected to represent
the US at the World Magic Congress in Holland, which is held every
three years and is sponsored by the international Federation of
Magical Societies (FISM).
Fantasio took a break from show business in 1973
so that he could manufacture his famous candles and canes, but soon
he became involved in shows again and did his own Magical Musical
Review, Fantastique, for "El Casino" in Freeport, Bahamas.
Since 1978, Fantasio has done gala shows and conventions.
Most notables was the Grand Prix of World Magic in 1978 in Tokio,
Japan, which was the largest event in the history of magic in that
country.
1979 saw him at the FISM Gala show in Brussels,
Belgium, and on a lecture tour in Spain, Switzerland and Italy.
Also that year he produced a month-long magic convention at the
Premier Theater in Buenos Aires called " El Maravilloso Mundo
de la Magia" (The Marvelous World of Magic).
In the last two years Fantasio has been performing
and lecturing in countries all over the world, including England,
Spain, Austria, Germany, Holland, France, Argentina, Canada, and
the US. In July, he is scheduled to lecture at the FISM Congress
in Lausanne, Switzerland.
Ever since the beginning, Fantasio has built this
own props and equipment. In those early years the act was called
"Larry", but Fantasio was soon told that this stage name
would not go over well in the US or on the Continent and so he changed
it to a word sounding like the one used by his audiences to describe
his act ''Fantasio".
Lighting; music, timing and costumes are carefully
combined in his productions.
The Triple Color Changing Cane to a Double Bouquet
of flowers and The Candelabra have been his most honored routines
as well as being available in magic shops all over the world. In
Argentina, be founded "fake" magic magazine and became
its first director. When the late Walt Disney spoke of Fantasio,
he said, "Fantastic is the word for Fantasio!''
One of the top working rnagicians of the sixties,
with engagements at the Latin Quarter and Radio City Music Hall,
in New York, Fantasio has won over ten first place awards and has
been made an honorary member of over a dozen magic organizations
all over the world. He has shared the program with such stars as
The Beatles, Bob Hope, Luis Armstrong, Tony Bennett and Flip Wilson.
It was in 1964 when Fantasio said. "To be
a great magician, you must know what the reaction of the audience
will be. A great trick is not necessarily one that fool the audience
rather it is an impossibility that pleases them.''
It is certainly pleasing to Fantasio´s audience
today to continue to enjoy the magic of this extraordinary entertainer.
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