| FANTASIO
& MONICA
BY FRANCES MARSHALL
OUR cover honors a magician whose life story could be a perfect
pattern for anyone seeking success in this business. Fantasio did
everything right, always progressing with his eye on his next goal.
Most significantly, he never just sat and waited for something to
happen. He made things happen. Born Ricardo Roucau in Buenos Aires,
in 1936, Fantasio was given a magic set at age ten. Inspired by
Fred Astaire's Portrayal of a magician in the film "Three Little
Words," little Ricardo determined to be the best. At 17, he
was taking sleight of hand lessons, was a member of three magic
clubs in the city, and was gready influenced by the late, great
David Bamberg. At the same time, he was studying chemistry at the
University and working in a bank. He went through all the levels
of playing" kid shows," benefits, and, through an appearance
on an annual show over Buenos Aires TV, he was booked for two additional
performances in Montevideo.
He next moved into the night club field and met a young dancer,
Monica. They were married in 1959 and Fantasio framed an act to
include his wife. Their range of work increased as their repertoire
grew and they covered most of South America and up into the Carribean.
In those early days, they worked as "Larry and Daisy,"
and it was under that name that they came to the U.S. in 1964.
The first time I met them, they were on their way to play a job
in Minneapolis. Both were lighdy dressed in clothing suitable for
the warm South American climate but hardly fitting for the biting
wintry winds of Minnesota. My first bit of advice to them was to
get some warmer clothing.
And their names, "Larry and Daisy," were laid aside along
with the Argentine clothing almost as quickly. Fantasio and Monica
emerged as one of the hottest young acts in show business. In short
order, they played the Latin Quarter, in New York, Las Vegas' Desert
Inn, The Hollywood Palace, and the Sullivan Show (5 times before
it left the air).
We came to know Fantasio much better during the six months he played
the Ice Show at Chicago's Conrad Hilton. From there, he went with
the Liberace Show for three months.
Fantasio has an unerring instinct for getting booked into the most
glamorous places at the right time of year. He put together a musical-magical
revue and played it for more than three months in the El Casino
in the Bahamas. Winter of 1974 found him working a posh hotel in
Miami, this time with little Jackie who went into the act at age
9. Yet he always manages to book a date "back home" so
that he can visit with his parents who still live in South America.
His studies in chemistry gave him the vision to see great possibilities
for plastic as a magic medium. In his own efficient and well-equipped
workroom he's introduced a whole new line of products for magicians;
vanishing canes, color changing canes, candle effects, etc. His
close friend, Bruce Johnson is supervisor of the magic supply firm.
Fantasio will tell you he's far from finished. He's in there, working
to make the trio act bigger and better. And while he takes his bows.
. . his mind is back in the workshop trying to perfect a plastic
appearing cane. Bravo, Fantasio, Monica and Jackie you're an inspiration
to magicians everywhere.
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