| M.U.M.
OFFICIAL PUBLICATION OF THE SOCIETY OF AMERICAN MAGICIANS.
VOLUME 58, NO.4 SEP. 1968 .
By Leslie P. Guest
We first met at the big Combined Convention at the Hotel Commodore
in New York City in 1964, where I had charge of the contests. One
of the few entrants who knew his act, his staging, and all that
was necessary, was Fantasio. Watching him from the wings, I was
greatly impressed, and not at all surprised when he took First Award
for Apparatus Origina!ity. Had he entered under "Manipulation,"
he would probably have taken that award also. A personable young
man, he has since become a headliner, a member of our Parent Assembly,
S.A.M., and was a feature act on our 1968 National Conference at
Philadelphia this July.
Born Ricardo Roucau in Buenos Aires, Argentina, on October 3, 1936,
Fantasio's interest in magic began at the age of ten with the usual
Box of Magic Tricks. He learned to do them all, but felt discouraged.
Then he saw the movie, "Three Little Words," in which
Fred Astaire played the part of a magician. (Of course, Fred was
portraying that lovable composer and magician, the late Bert Kalmar.)
This prompted more practice, and the finding of a magic shop in
Buenos Aires. At age seventeen he met Mario Lobo, who gave him his
first lessons in real sleight-of-hand. Then he joined three magic
clubs in the same city; met Dave Bamberg (Fu Manchu), Carlos H.
Colombi, and others; and had his first chance to do magic for audiences.
In 1959 Fantasio was employed in a bank, was a student of chemistry
at the University, and was doing clubs, benefits and kid shows on
the side, He perormed for the Annual Show of his P.A.D.P.E.I. Magic
Society, was seen by an Uruguayan T.V. Producer, and was promptly
booked for two T.V. programs in the city of Montevideo. As he says,
in his delightful Spanish translation, "I sent my renunciation
to the bank; I leaved my studies; and I am very happy as a professional
entertainer in magic."
For quite a while he played nightclubs in Montevideo. One of his
numbers was the familiar Silk to Egg Trick. Each night, on the way
to the club. he stopped at a restaurant to buy an egg, so that he
could break it at the conclusion or the effect. One night the restauranteur
rang in a hard boiled egg on him. Fantasio was more surprised than
his audience when he cracked it; but the nonchalantly ate the egg-
"to convince all of you that it is real egg!"
Later the same year he persuaded a young dancer named Monica to
marry him, and she has been the "glamorous half" of the
act ever since. Then in 1964 they had a daughter named Jacqueline
- who will probably join the act when she is old enough. Fantasio
& Monica were successful from the start, playing night-clubs,
hotels and T.V. shows throughout Uruguay, Argentina, Venezuela,
Colombia, Panama, and Caribbean resorts.
The Fantasio Family came to the U.S.A. in the spring of 1964, and
made their presence known to magicians here. As mentioned earlier,
he competed at the Combined Convention, then opened at The Latin
Quarter in August. Columnist Earl Williams praised "his amazingly
educated fingers." September was the start of a long run at
the Desert Inn in Las Vegas. A quick trip to Hollywood in October
permitted his T.V. appearance on "Hollywood Palace"; then
back to Las Vegas where he met Ed Sullivan, taping his first show
for him on October 29th - a success which he repeated in April 1967.
The very critical Great Stone Face broke down enough to say, "Fantasio
is the fastest magician I have ever seen."
Next came a six months engagement with the Ice Revue at the Conrad
Hilton Hotel in Chicago, followed in 1966 by another spell at the
Sheraton Hotel in Puerto Rico. I believe it was there that Monica
received repertorial praise as, "Fantasio's beautifuliy aloof
assistant, Monica."
They played for three solid months with the Liberace Show, and
that talented key-pounder remarked, "You are fabulous, and
I hope we will work together again." Then came a string of
shorter hotel engagements in the eastern USA. One of these was a
prominent New York City night club, and there he featured his dove
productions. One night he had to cut his act, leaving him with one
dove stili secreted. In the hallway he was stopped by an enthusiastic
viewer, who exclaimed his mystification as to how the doves were
produced.
Whipping out his handkerchief, he asked, "Fantasio, could
you produce anything from this?" With an absolutely dead-pan
expression, Fantasio produced that last dove from the man's handkerchief,
and walked on, hearing behind him the repeated remark, "I can't
believe it; I can't believe it; I can't -."
In early 1968 the act worked steadIly, appearing in Puerto Rico,
Netherlands Guiana, Venezuela, Grand Bahamas, Miami Beach, Aruba,
Curacao, Santo Domingo - then a later single appearance at our PhIladelphia
Conference. From there they go to the spot-of-spots, the Paradise
Island Hotel in Nassau, where they open on August 7. When you read
this they will be playing at the El San Juan Hotel in Puerto Rico
from Sept. 1 through Dec. 27.
Fantasio builds his own props and equipment, and each piece is
beatifully hand-crafted. Many of his tricks are original and, when
he has a better grasp of English, he plans to publish them. He does
write well in Spanish, having been the Founder and First Director
of "Fake," a magic magazine published in Argentina. Besides
his S.A.M. Membership he is an honorary member to four magic societies
In Argentina, and one each in Uruguay, Colombia, Brazil, Venezuela,
and India. This Is just the beginning of a truly great magical career,
and this article closes with the pertinent comment made by the late
Walt Disney, "Fantastic is the word for Fantasio!"
P.S. The above article was typed before our July Philadelphia Conference.
There, Fantaslo appeared as advertised, and in his cheerful, quiet
way gave the magicians several thrills, since many of the numbers
were his origination, and not the straight act he did on T.V. He
also swept up the trophy for the most original effect on the Contests
which I was so unfortunate to miss. Earlier in the month, at the
I.B.M. convention, he won three first place trophies: Best Original
Efect; Most Commercial Trick (M.D.A. Award); and Best Stage Effect.
Delightful people, these Fantasios; Monica Is, as advertised, a
most unusual type of assistant, and their little daughter Jacqueline
Is fast becoming another charmer.
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